Vlaamse Werkgroep Boekgeschiedenis kicking off lecture series at Antwerp (29 April 2009)

Vlaamse Werkgroep Boekgeschiedenis, the society uniting every person who takes a keen interest in rare books and manuscript research in the Dutch-speaking part of this country, is premiering a new international lecture series at Antwerp, in collaboration with the UA, University of Antwerp, and the EHC, Erfgoedbibliotheek Hendrik Conscience.

Venue is the historical Nottebohmzaal of the Erfgoedbibliotheek Hendrik Conscience (formerly Stadsbibliotheek), on Wednesdays, at 5 p.m.

The idea is to invite researchers from abroad who are in this country for research to deliver a talk about their current projects. Kicking off today, Wednesday 29 April 2009, is Professor Paul Dyck of Canadian Mennonite University, with "Picturing the World: Antwerp Biblical Illustrations at Little Gidding."

Professor Dyck will explain how a family from Little Gidding near Cambridge devised a cut and paste method to combine Prostestant New Testament text to Catholic imagery, largely biblical illustrations originating from Antwerp, resulting in 17th century illustrated Bibles.

Details: Wednesday 29 April 2009 from 5-6.30 p.m. Nottebohmzaal, Erfgoedbibliotheek Hendrik Conscience, Hendrik Conscienceplein 4, 2000 Antwerpen. Free access.

The next lecture, to be announced, will be held on 24 June 2009, same venue, same time, by Marie-Claude Felton (EHESS Paris - UQÀM, Montreal).

Erasmus's Social Network: Talk at Erasmus House (30 April 2009)

2.0., Netlog, Facebook: sometimes one wonders how Vives and Erasmus would have dealt with these means of social networking. It's all the more exciting however to learn how a researcher today succeeds in unearthing the intellectual network of a humanist who lived 500 years ago.

Tomorrow, 30 April 2009 at 7.30 p.m., Franz Bierlaire, professor at ULg, University of Liège, and at the ULB , University of Brussels, delivers a talk, in French, at the Erasmus House at Brussels entitled "Le carnet d'adresses d'Erasme" or "Erasmus's address book".

Primary source is Erasmus's correspondence. Bierlaire will show to what extent the humanist's network helped to shape his writings.

Venue: Rue du Chapitre 31 Kapittelstraat 31, 1070 Brussels (Anderlecht). Metro: Saint-Guidon/Sint-Guido.

A Thing of Beauty at Ghent: Henry van de Velde's Book Designs (Design museum Gent, 21 March - 1 June 2009)

April is not the cruellest month for book lovers and bibliophiles: the weather is good, and suddenly book-related activities abound in libraries and institutions.

Take a stroll around the city of Ghent, into the footsteps of designer and architect Henry van de Velde (Antwerp, 1893 - Zürich 1957). Literally so, by climbing the university library's Boekentoren / Tower of Books, and by taking a visit to the building that van de Velde designed.

The building dates from 1934 , the period during which van de Velde was teaching applied arts and architecture at the university (University Library, Rozier 9, 9000 Gent). While Google Books is currently ploughing away in some secret corner of this building, architects Robbrecht & Daem are planning its renovation.

Belgian by birth, but European by career, van de Velde was formed as a painter at Antwerp and Paris, but quickly relinquished this path in favor of the applied arts: he underwent some influence by the Arts & Crafts Movement, and started to design tableware, silverware, textiles, and on to furniture and buildings, among others his own house Bloemenwerf at Brussels.

As an architect, he had building contracts in Germany - Folkwangmuseum in Hagen, the Nietzsche Haus and the Kunstgewerbeschule in Weimar, Switzerland, Holland -the Kröller-Müller Museum in Otterlo, and Belgium - the University Library Ghent and the current Municipal Library "Tweebronnen" at Leuven. In Brussels, van de Velde was the first director of the Art School I.S.A.D., better known today as La Cambre.

Design museum Ghent, which houses items by van de Velde in its permanent collection, now hosts an exhibition highlighting book designs by van de Velde: "Henry van de Velde: Boekontwerp tussen art nouveau en nieuwe zakelijkheid."

What we see is a generous and beautiful amount of mostly morocco bindings with great variation in well-chosen, but tempered gilt decor. Sketches, drawings, photos, applied art and page designs -van de Velde did the page design for the monumental 1908 edition of Nietzsche's Also Sprach Zarathustra at Insel Verlag- provide some context. The only information missing is that of the binders and gilders, but surely the monograph lists that.

The exhibition was curated by John Dieter Brinks, owner of Triton Verlag, and was hosted in 2007 by Museum Meermanno-Westreenianum in The Hague in 2007, and from Ghent it will travel on to Berlin this fall. This European tour also serves to draw attention to a future sale.

"Henry van de Velde: Boekontwerp tussen art nouveau en nieuwe zakelijkheid." Design museum Gent, Jan Breydelstraat 5, 900 Gent (21 March - 1 June 2009). No catalogue, but a monograph by the curator: "Denkmal des Geistes: Die Buchkunst Henry van de Veldes", ISBN 3-935518-72-9, 461 pages, 180 euro, to be ordered directly at Triton Verlag.

Albertine disparue: digitization at Belgium's National Library

KBR, Belgium's National Library or Royal Library Albert I, is just about to present to the public its portal for access to its digitized holdings. The project is called Belgica and can be accessed here, under Belgica.kbr.be. Exactly 40 years after the inauguration of the new library premises on Kunstberg/Mont des Arts in Brussels.

On Thursday 5 March 2009, at 18 pm, the Royal Library will highlight this evolution in an exhibition by invitation called Veertig jaar verzamelen. Van de Albertina tot Belgica. Quarante années d'acquisitions. De l'Albertine à Belgica (Forty Years of Collecting. From Albertina to Belgica) (Nassau Chapel).

In comparison to its vast holdings, these beginnings are modest. But the present contents of the portal do show the variety of the institution's holdings: from manuscripts to rare books, reference works and newspapers, music, coins and medals, over maps and plans, prints, etchings, and drawings. Each section lists a number of works that have been made available.

Under Reference works so far we find several of the library's own reference catalogues to the library's manuscripts. The manuscript holdings themselves number around 25,000-30,000. In Reference, the project aims to digitize Belgicana, works pertaining to Belgium and Belgian publications.

Belgica also establishes ties to a larger-scale digitization project for newspapers that was started in 2004 and that involves collaboration between a number of public institutions. Belgica has two searchable newspapers available today: L'Avenir de Luxembourg and L'Indépendance Belge. Other digitized newspapers can be accessed when visiting the library in person.

We hope to come back to this project and make it a first instalment in a series on digitization of rare books and manuscripts around the country today.

Le bon plaisir: catalogue details, current exhibition at Bibliotheca Wittockiana (Brussels, until 28 February 2009)

Here is bibliographical detail about the catalogue to the current exhibition at Bibliotheca Wittockiana, the museum in Brussels devoted to bookbindings:

Une vie, une collection. Cinq siècles d'art et d'histoire à travers le livre et sa reliure. Exposition à la Bibliotheca Wittockiana du 10 octobre 2008 au 28 février 2009. Dijon, Editions Faton (Arts & Métiers du livre), 2008. ISBN 978-2-87844-118-5. Texts by Michel Wittock, Paul Culot, Annie De Coster, and Jérôme Callais.

The exhibition not only presents bookbindings from 5 centuries, but also highlights 25 years of bibliophile passion and collecting by the Bibliotheca Wittockiana's founder, Michel Wittock.

The bibliophile visitor who was thinking of a nice getaway might consider Brussels, and instead of letting a myriad of lights blind him or her at overcrowded Chrismas markets, might consider taking a stroll to an elegant corner of town, and being overwhelmed by these riches. During this exhibition, the museum will also be open on Sundays.

Bicentenary at Tournai: Collection of the Great Seminary (1808-2008)

As places of learning, intended for the formation of clergy, Great Seminaries were also known for their cultural heritage. That is, if history had not been too unkind. And in the case of Tournai, it hasn’t.

On 10 November 2008 the Great Seminary is celebrating its 200^th year in the same premises since 1808. It was founded thanks to an obstinate bishop, François-Joseph Hirn, originally from Alsace, and with a little help of Napoleon Bonaparte.

The premises had then seen at least 3 previous owners, and 2 centuries of construction and restauration. At the end of the 16^th century, the Jesuits organised a college and a noviciate in them. When the order was abolished in 1773, the buildings remained empty. A few years later, the canons regular were the new owners, until they had to vacate in 1794 and give way to an administrative office under the French republic.

The Great Seminary today can take pride in a library of more than 100,000 volumes, comprising medieval manuscripts and archival documents, incunables, etchings, and many precious bindings. And one of its abbots in the 20^th century took care to establish a small museum for several artefacts, including oil panels.

The collections mostly have religious provenances. A few go back to the Jesuits and the canons regulars, but most were the scattered holdings of other abolished religious institutions in and around Tournai. For these artefacts, the foundation of the Great Seminary, not long after the abolishment of religious orders in general, proved fortuitous.

The bicentenary has occasioned a new and richly illustrated monograph about the building, the garden, and its collections, which have also been catalogued with text and image. The project has benefited from a close collaboration with the Royal Institute for Cultural Heritage at Brussels (IRPA-KIK).

The notes on manuscript, etchings, bindings and rare book holdings have been authored by P. Bogaert osb, Annie De Coster, J.-B. Lebigue, J. Leclercq-Marx, E. Livens, L.Reynhout, F. Tixier, Dominique Vanwijnsberghe, Renaud Adam, Ph. Desmette, and A. Delvingt.

Details: Séminaire de Tournai, Rue des Jésuites 28, 7500 Tournai (Doornik). Press release to be obtained by Monique Maillard-Luypaert, curator of the Great Seminary Library. On 15 and 16 November 2008, Mrs Maillard will be present at a cultural event called Tournai La Page (Halle aux draps, Tournai).

Book: Monique Maillard-Luypaert, et al., Séminaire de Tournai. Histoire – Bâtiments – Collections. Leuven, Peeters Publishers, 2008 (forthcoming). 360 p. 251 illustrations. ISBN 978-904292169-6. Price: 75 €.

Photo credit: M.Maillard-Luypaert

Stradanus exhibition: a son of Bruges hailed back in his birth town

If having Honorary Tuscans were a practice in Florence in the early 17th century, Johannes Stradanus (Brugge, 1523- Florence 1605) would have been a serious candidate. He was born here, but died as a Florentine.

Today the draughtsman is celebrated in birth town Brugge (Bruges) with an exhibition: "Johannes Stradanus, hofkunstenaar van de Medici" (Court Artist of the Medici).

Stradanus received training as an artist at Antwerp, and he was found registered there as a member of its famous St Luke's Guild in 1545. Around that time he travelled to Italy to confront his own draughtsman skill with Italian art.

His encounter with a fellow countryman who had been put in charge of the de Medici tapestry production, which aimed at taking the wind out of the sails of Flemish tapestry making, proved decisive. A full career ensued: Stradanus became a commissioned designer for media as varied as tapestries, paintings, single pieces, altar pieces or murals -Francesco de Medici's Studiolo in Palazzo Vecchio for instance, prints, and of course the drawings.

But drawing for prints took center stage in Stradanus' output as of 1576, which explains why the core of the exhibition consists of 122 prints and drawings, placed together in a complementary way. There are borrowings from the Rijksmuseum Amsterdam, the Royal Library at Brussels and Windsor Castle. The richness of detail warrants that the spectator gives this enough viewing time.

Perhaps most famous, and documenting craftsmanship in the arts and science in the Late Renaissance, is the series "Nova Reperta" from 1588-1589, consisting of 19 prints. To depict themes such as the invention of oil paint, and the determination of longitude at sea, Stradanus consulted a fair amount of reading material, the literature of his day. But while glorifying discovery, it was not beneath him to color historical fact with his own glasses.

The exhibition also has sculpture, for instance by fellow émigré Giambologna, paintings by Italian artists such as Vasari, who counted on Stradanus as a close collaborator, and three Italian tapestries.

Details: Johannes Stradanus, hofkunstenaar van de Medici, exhibition, Groeningemuseum, Dijver 12, 8000 Brugge. From 9 October 2008 until 4 January 2009. The Groeningemuseum is part of the 1 Euro Museum initiative. Youngsters under the age of 26 pay an entrance fee of 1 Euro.

Photo credit: courtesy of Groeningemuseum. The Hunt for Wild Cats, borrowing from Palazzo Pitti, Florence, after a carton by Stradanus.

Catalogues:
Exhibition manual: Sandra Janssens, Stradanus 1523-1605. Hofkunstenaar van de Medici. No ISBN. Depot D/2008/0546/1. 63 p. Text, color illustrations. Price: 6 Euro.
Scientific study: Stradanus (1523-1605), Court Artist of de Medici. Contributors: Alessandra Baroni Vennucci, Alessandro Cecchi, Albert Elen, Sandra Janssens, Marjolein Leesberg, Lucia Meoni, Manfred Sellink, Gert Jan van der Sman. Brepols, 2008. ISBN 2-503-52996-7. Price: 60 Euro.